Paper Types Available
from Inkpress Paper
Select Styles Below
RC PAPERS:
Inkpress RC Luster & RC Glossy:
Inkpress RC Gloss & Inkpress RC Luster are microporous, true photo
papers made from a high quality, heavy-weight (240 gsm, 10 mil) opaque
white base. Their extruded coating provides an extended color gamut and
dries instantly, uses dye or pigment inks, and laminates extremely well.
It is the highest quality photo paper for the most discriminating buyer.
Inkpress RC Luster DUO:
This microporous double sided inkjet paper has the look and feel of resin
coated photo paper and is our unique offering. We consider Luster DUO
to be the finest RC Inkjet paper manufactured today.
FIBER BASE PAPERS:
Inkpress
Fiber Base Glossy:
Inkpress Fiber Base Gloss is a smooth surface, single-sided paper, 12
mil / 250 gsm. It’s quick-dry microporous coating offers high opacity
(99+) and brightness (99) and is optimized for pigmented or dye inks.
A family of fiber base (buffered wood pulp), matte, gloss and semigloss
(brochure type semigloss, not pearl-like) double-sided papers.
Inkpress Proofing Matte:
This lightweight (5 mil) paper is acid and lignin free, and offers the
most economical inkjet paper for daily printing. At about 7 cents a sheet
or less, this unique photo paper is perfect for every day printing at
resolutions up to 2880 dpi. (not double-sided).
Inkpress Matte
44 & Matte 80:
A hot-seller! This paper is both acid and lignin free, double-sided,and
offers an economical alternative to Rag – especially for portfolios
and other uses.
Inkpresss Fine
Art Matte:
Fine Art Matte contains 25% cotton fibers + 75% Alpha Cellulose, and is
designed to work with most desktop ink jet printers, both dye and pigment
based ink. It also contains no OBA and is acid free for superior achievability.
This sheet is printable on both sides and features excellent waterfastness
and good color saturation without bleeding. It is acid and lignin free.
Inkpress Semi-Gloss:
This paper is both acid and lignin free, double-sided, and offers an economical
way to proof work on a stock which resembles coated offset paper.
FINE ART PAPERS
Inkpress Picture Rag Warm Tone/Cool Tone:
A 250/300 gsm 100% cotton rag archival media. Cool Tone stands for bright
white surface and Warm Tone stands for natural white. These both papers
have smooth surface, double side .
Inkpress Canvass Glossy/Matte:
A fabric canvas material. Matte canvas is a 100% cotton rag and Glossy
is a poly-cotton blend (65% poly/35% cotton). Available in SHEETS!
SPECIALTY
MEDIA
Inkpress White Gloss Film:
Inkpress introduces a whiter, glossier and heavier film. It feels like
paper coated in plastic. In fact, anyone that remembers Cibachrome will
see a very similar look and feel to that product. This surface truly is
waterproof. Try this yourself. Make a print and place it under running
water – right after printing & rub it with your fingers. White
Gloss film appears almost impervious to water and smudging. Colors are
rich and vibrant. The film substrate provides a luminous gloss even in
areas of the image where there is heavy ink coverage. In addition to its
gloss, a high reflectivity level ensures that colors will jump off the
page.
Inkpress Backlight
Film:
F ilm for light boxes and backlight displays. Available in both SHEETS
and ROLLS!
Inkpress Transparency Film:
A clear film for various applications including alternative photo processing.
Available in both SHEETS & ROLLS!
Inkpress Adhesive Vinyl, Light Vinyl, Heavy Vinyl (Signage Media):
Profiles can be downloaded from manufacturer's website at no charge. All
Fine Art and Matte papers are USA made. Luster, Glossy, Canvas & Specialty
Media are from Europe.
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Ink
Press Paper as a media manufacturing company is in constant search for
universal types of inkjet media that allows us to bring the tradition
of high quality print making into the environment of digital imaging.
A constant connection of our service group with master printmakers creates
a feedback to the paper manufactures to enhance our media and control
the flow of the creating process.
David Brooks, Shutter Magazine Editor, says:
“I made a
preliminary test printing a grayscale image file (B&W).The first
two prints, on Canon’s new iPF5000 printer, were (1) with the
grayscale file converted to RGB and printed as if it were a color image,
and (2) I used the grayscale file not converted and printed as a monochrome.
Then, on Epson’s R2400, using the same grayscale test image I
made a B&W print. This paper accepts pigment ink extremely well
and reproduces exceptional photo image values, that are significantly
better than fiber base papers like Hahnemuhle Pearl and Crane Silver
Rag.”
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