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Paper Types Available from Inkpress Paper

Select Styles Below

  InkPress Luster
  InkPress Glossy
  InkPress Luster DUO
  InkPress Fiber Gloss
  InkPress Glossy Film
  InkPress Vinyls
  InkPress Proofing Matte
  InkPress Transparency Film
  InkPress Backlight Film
  inkpress Matte Canvas
  inkPress Glossy Canvas
   
   

RC PAPERS:

Inkpress RC Luster & RC Glossy:
Inkpress RC Gloss & Inkpress RC Luster are microporous, true photo papers made from a high quality, heavy-weight (240 gsm, 10 mil) opaque white base. Their extruded coating provides an extended color gamut and dries instantly, uses dye or pigment inks, and laminates extremely well. It is the highest quality photo paper for the most discriminating buyer.

Inkpress RC Luster DUO:
This microporous double sided inkjet paper has the look and feel of resin coated photo paper and is our unique offering. We consider Luster DUO to be the finest RC Inkjet paper manufactured today.


FIBER BASE PAPERS:

Inkpress Fiber Base Glossy:
Inkpress Fiber Base Gloss is a smooth surface, single-sided paper, 12 mil / 250 gsm. It’s quick-dry microporous coating offers high opacity (99+) and brightness (99) and is optimized for pigmented or dye inks.
A family of fiber base (buffered wood pulp), matte, gloss and semigloss (brochure type semigloss, not pearl-like) double-sided papers.

Inkpress Proofing Matte:
This lightweight (5 mil) paper is acid and lignin free, and offers the most economical inkjet paper for daily printing. At about 7 cents a sheet or less, this unique photo paper is perfect for every day printing at resolutions up to 2880 dpi. (not double-sided).

Inkpress Matte 44 & Matte 80:
A hot-seller! This paper is both acid and lignin free, double-sided,and offers an economical alternative to Rag – especially for portfolios and other uses.

Inkpresss Fine Art Matte:
Fine Art Matte contains 25% cotton fibers + 75% Alpha Cellulose, and is designed to work with most desktop ink jet printers, both dye and pigment based ink. It also contains no OBA and is acid free for superior achievability. This sheet is printable on both sides and features excellent waterfastness and good color saturation without bleeding. It is acid and lignin free.

Inkpress Semi-Gloss:
This paper is both acid and lignin free, double-sided, and offers an economical way to proof work on a stock which resembles coated offset paper.

FINE ART PAPERS

Inkpress Picture Rag Warm Tone/Cool Tone:
A 250/300 gsm 100% cotton rag archival media. Cool Tone stands for bright white surface and Warm Tone stands for natural white. These both papers have smooth surface, double side .

Inkpress Canvass Glossy/Matte:

A fabric canvas material. Matte canvas is a 100% cotton rag and Glossy is a poly-cotton blend (65% poly/35% cotton). Available in SHEETS!

SPECIALTY MEDIA

Inkpress White Gloss Film:
Inkpress introduces a whiter, glossier and heavier film. It feels like paper coated in plastic. In fact, anyone that remembers Cibachrome will see a very similar look and feel to that product. This surface truly is waterproof. Try this yourself. Make a print and place it under running water – right after printing & rub it with your fingers. White Gloss film appears almost impervious to water and smudging. Colors are rich and vibrant. The film substrate provides a luminous gloss even in areas of the image where there is heavy ink coverage. In addition to its gloss, a high reflectivity level ensures that colors will jump off the page.

Inkpress Backlight Film:
F ilm for light boxes and backlight displays. Available in both SHEETS and ROLLS!

Inkpress Transparency Film:
A clear film for various applications including alternative photo processing. Available in both SHEETS & ROLLS!

Inkpress Adhesive Vinyl, Light Vinyl, Heavy Vinyl (Signage Media):

Profiles can be downloaded from manufacturer's website at no charge. All Fine Art and Matte papers are USA made. Luster, Glossy, Canvas & Specialty Media are from Europe
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Ink Press Paper as a media manufacturing company is in constant search for universal types of inkjet media that allows us to bring the tradition of high quality print making into the environment of digital imaging.
A constant connection of our service group with master printmakers creates a feedback to the paper manufactures to enhance our media and control the flow of the creating process.

David Brooks, Shutter Magazine Editor, says:

“I made a preliminary test printing a grayscale image file (B&W).The first two prints, on Canon’s new iPF5000 printer, were (1) with the grayscale file converted to RGB and printed as if it were a color image, and (2) I used the grayscale file not converted and printed as a monochrome. Then, on Epson’s R2400, using the same grayscale test image I made a B&W print. This paper accepts pigment ink extremely well and reproduces exceptional photo image values, that are significantly better than fiber base papers like Hahnemuhle Pearl and Crane Silver Rag.”

 

 

 

   
 
 
 

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